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Gallery 360 Minneapolis

3011 West 50th Street
Minneapolis, MN, 55410
612-925-2400
Art in Every Degree

Gallery 360 Minneapolis

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Cam Zebrun

I am a mature artist who has been creating works of art for myself for most of my life. Making artwork continues to challenge and vitalize my life and plays an essential role in my well-being. My ever-evolving fascination with portraying landscape subject matter in abstract and non-traditional ways continues to energize and motivate me. By observing and collecting images, experiences, emotional responses, and ideas inspired by the natural world, I record the intimate patterns and forces that nature enacts on the environment, the essence of nature's abstract forms is what interests me the most. Recently, my engagement with the natural world has become more inclusive in its focus, drawing on many sources, science, history, and deep time. Not only am I using my personal experiences and observations of our environment as inspiration, but there is also an examination of geological time and its effects on the land as well as our need as humans to catalog, interrupt, and conquer our environment and the impact of climate change brought on by human activities. My practice is focused on sculpture which examines our environment through layers of context. My sculptures are often described as defying categorization; they are neither wholly painting nor sculpture, although they embody both processes. My commitment to fine craftsmanship when building these pieces serves to strengthen my vision. The design and composition of my sculpture are inspired by the forms, textures, light, color, and shapes found in nature. My sculptures are fabricated from wood and painted with oils, watercolor, and collage. My audience responds to my sculpture’s coloration, mysterious abstract compositions, and unique form. The convex shapes I use suggest abstract representations of kayaks, surfboards, and arched forms found in nature, the edge of a waterfall, the profile of a mountain ridge, or the crest of a wave. I also reference the language of cartography and topography on my sculpture’s surfaces.

Top to Bottom

Blade II, 8×45, oil, watercolor on wood, $2500

Whitewater II, 7×48, oil, watercolor on wood, $2500

Mount Hood, 7×46, oil, collage on wood, $2500

Chart III , 8×52, oil, watercolor on wood, $2950

Aperture, 8×58, oil, watercolor on wood, $2500

Cam Zebrun

I am a mature artist who has been creating works of art for myself for most of my life. Making artwork continues to challenge and vitalize my life and plays an essential role in my well-being. My ever-evolving fascination with portraying landscape subject matter in abstract and non-traditional ways continues to energize and motivate me. By observing and collecting images, experiences, emotional responses, and ideas inspired by the natural world, I record the intimate patterns and forces that nature enacts on the environment, the essence of nature's abstract forms is what interests me the most. Recently, my engagement with the natural world has become more inclusive in its focus, drawing on many sources, science, history, and deep time. Not only am I using my personal experiences and observations of our environment as inspiration, but there is also an examination of geological time and its effects on the land as well as our need as humans to catalog, interrupt, and conquer our environment and the impact of climate change brought on by human activities. My practice is focused on sculpture which examines our environment through layers of context. My sculptures are often described as defying categorization; they are neither wholly painting nor sculpture, although they embody both processes. My commitment to fine craftsmanship when building these pieces serves to strengthen my vision. The design and composition of my sculpture are inspired by the forms, textures, light, color, and shapes found in nature. My sculptures are fabricated from wood and painted with oils, watercolor, and collage. My audience responds to my sculpture’s coloration, mysterious abstract compositions, and unique form. The convex shapes I use suggest abstract representations of kayaks, surfboards, and arched forms found in nature, the edge of a waterfall, the profile of a mountain ridge, or the crest of a wave. I also reference the language of cartography and topography on my sculpture’s surfaces.

Top to Bottom

Blade II, 8×45, oil, watercolor on wood, $2500

Whitewater II, 7×48, oil, watercolor on wood, $2500

Mount Hood, 7×46, oil, collage on wood, $2500

Chart III , 8×52, oil, watercolor on wood, $2950

Aperture, 8×58, oil, watercolor on wood, $2500

Blade 2 copy.JPG
Whitewater II_small.jpg
Mount Hood.jpg
Chart III_small.jpg
zebrun Aperture_small.jpg

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